{
  "type": "article",
  "title": "Farah Khan Astonished by Ramayana Designers' 10,800 Sq Ft Palace-Like Abode",
  "summary": "Costume designers Rimple and Harpreet, currently working on the ₹4,000-crore film Ramayana after Padmaavat and Heeramandi, stunned Farah Khan during a visit to their massive 10,800 square foot Delhi home filled with rare master artworks.",
  "content": "Known across the Indian film fraternity for crafting regal, era-defining period costumes, designer duo Rimple and Harpreet have captured the limelight for their extraordinary private residence. Having previously created the elaborate visual palettes for Sanjay Leela Bhansali's magnum opus film Padmaavat and the period drama series Heeramandi, the celebrated pair recently hosted filmmaker and choreographer Farah Khan at their residence. Rimple and Harpreet are currently entrusted with the monumental wardrobe responsibilities for Namit Malhotra's highly ambitious cinematic spectacle Ramayana, mounted on an estimated budget of ₹4,000 crore. During her walk through their Delhi estate, Farah Khan found herself mesmerized by the sheer density of priceless antiquities, historic art masterpieces, and architectural grandeur woven into the living spaces.\n\nA 10,800 Square Foot Sanctuary in Green Avenue\nLocated in the Green Avenue enclave of Vasant Kunj in New Delhi, the sprawling bungalow covers roughly 10,800 square feet of meticulously designed interior space. Assembling the historic treasures, bespoke architectural fittings, and rare art objects scattered across the house required a dedicated five-year effort from the designer couple. Far from resembling an ordinary high-end city bungalow, the property functions much like a palatial sanctuary or an expansive private art museum. It boasts towering ceiling heights, an internal lift uniting multiple residential tiers, a secluded private swimming pool, and an array of rare historic artifacts acquired from across the globe. Each wing and corridor of the residence reflects a deliberate commitment to fine design and heritage preservation.\n\nMasterpieces by Modern Legends and Historic Auctions\nThe moment she stepped through the primary foyer, Farah Khan was greeted by an array of celebrated modernist paintings lining the walls. Standing out among the prominent display is an iconic piece by the legendary pioneer of modern Indian art, FN Souza. Taking in the canvas, Khan spontaneously remarked that an artwork of this caliber truly belonged within the walls of a national museum. FN Souza remains one of the most revered figures in contemporary Indian art history, with his premier works frequently commanding record-breaking valuations on global auction blocks. An untitled painting by FN Souza preserved inside the home of Rimple and Harpreet had commanded an impressive price of ₹1.08 crore during a notable auction held in 2023.\n\nThe creative collection displayed across the estate extends well beyond a single marquee acquisition. Adorning the surrounding walls are substantial creations by modern stalwarts including Thota Vaikuntam and Sakti Burman. Sculpted stone figures, metal craft, and time-honored curios occupying quiet niches deepen the home's historic resonance. After examining the extensive compilation of fine art, Farah remarked that only a fellow creator could truly comprehend and honor the dedication behind another artist's craft. Accompanying her on the walkthrough, Dilip playfully chimed in that entering the estate felt entirely like stepping directly into an authentic royal palace.\n\nHarmonizing Royal Indian Heritage with European Vintage Craft\nThe interior architecture throughout Rimple and Harpreet's home establishes a measured dialogue between aristocratic Indian heritage and European vintage elegance. Across several rooms, antique hand-knotted Persian carpets lie beneath seasoned wooden furniture, ornate heritage accessories, and glass-surfaced center tables. A cluster of colored glass fruits resting upon a table immediately caught Farah Khan's eye. Intrigued by their clarity, she asked whether the ornamental fruits had been acquired from Venice. Harpreet clarified that the handcrafted pieces were sourced directly from the island of Murano in Italy, a world-famous center renowned for centuries of glassmaking mastery.\n\nA dedicated wall in the house honors traditional Pichwai art, preserving the sacred imagery and cultural heritage of Rajasthan. In contrast, the expansive main living lounge embraces modern spatial concepts. It features towering ceiling heights, exposed timber beams, expansive glass windows inviting ample natural illumination, polished stone flooring, and earthy tonal palettes. By placing centuries-old traditional sculptures and classical canvases alongside streamlined contemporary furniture, the entire lounge appears as though staged for the cover of an international architecture journal.\n\nCustom Jamawar Dining Table and Reconstructed Chandeliers\nThe dining room commands attention for its custom furniture pieces conceived and detailed entirely by the hosts. Both the monumental dining table and the dramatic chandelier suspended overhead were personally conceptualized by Harpreet. Providing insight into the overhead centerpiece, Harpreet explained that elements salvaged from numerous dismantled antique chandeliers were carefully restructured to form an entirely fresh and cohesive lighting installation.\n\nThe concept framing the dining table carried an equally distinct decorative narrative. Harpreet shared that the pattern and structural detailing took direct inspiration from the intricate weaves of heirloom Jamawar shawls. To bring the vision to life, the artisans integrated slabs of natural stone precisely matched to the ambient tones of the surrounding stone floor. Through this intervention, historic textile motifs found a permanent and functional expression within a luxury living environment.\n\nRegal Canopy Guest Suite and a Contemporary Kitchen\nContinuing the personal tour into the guest bedroom, Farah Khan humorously laid claim to the room, announcing that she intended to make it her own personal quarters. The suite is dominated by a majestic four-poster canopy bed draped with heavy designer curtains, flanked by heritage accent furniture, decorative screens, and period antiques. The ambiance within the room closely parallels the residential feel of an ultra-luxury heritage palace hotel suite. Adding to the lighthearted banter, Rimple joked that whenever Farah stays at their residence, she gladly attends to her comfort by pressing her feet.\n\nThe party subsequently toured the state-of-the-art modular kitchen, which leans heavily into modern functional aesthetics. Outfitted with rich teal blue cabinetry, crisp white countertops, patterned geometric flooring, and a dedicated central prep island, the culinary space stands out for its crisp modernity. Large exterior-facing windows flood the room with fresh breeze and abundant daylight, balancing the rich historic sensibilities found across the rest of the residence.\n\nThe Business of Bridal Fashion and Epic Cinematic Projects\nBeyond architectural aesthetics and rare decor, the conversation naturally transitioned toward the realities of the Indian fashion economy. Rimple and Harpreet noted candidly that the overwhelming volume of their design enterprise is powered by the seasonal Indian wedding market. Commenting on the structural landscape of home-grown fashion, Harpreet observed that India functions predominantly as a wedding industry rather than a conventional fashion runway economy. Farah Khan concurred with the assessment, acknowledging that the most significant capital and custom fashion revenues in the nation stem from weddings.\n\nHaving cemented their status in the film industry through grand cinematic achievements like Padmaavat and the period web series Heeramandi, the duo is now fully invested in crafting period-accurate wardrobes for the upcoming cinematic saga Ramayana, planned on a vast ₹4,000-crore scale. While excitement continues to mount regarding how their creative genius will shape the visual identities of epic cinematic characters, their remarkable 10,800-square-foot Delhi home has already captivated audiences as a testament to historic luxury and artistic preservation.\n\nWhat this means for you\nThis story offers readers a direct look into the scale of creative investments powering major historical film productions and fine art collections.\n\n• For Cinema Fans: It reveals the meticulous visual research and expenditure supporting monumental cinematic undertakings like the ₹4,000-crore Ramayana. Audiences gain clarity on why period films rely heavily on master designers to craft authentic historical atmospheres.\n• For Interior Designers and Homeowners: It provides concrete ideas on repurposing dismantled heritage objects and classic textile motifs like Jamawar shawls into functional modern decor. Readers can learn how to balance traditional handicrafts with contemporary residential architecture.\n• For Fashion and Bridal Consumers: It illustrates the dominant role of the bridal segment in driving India's high-end couture market. Prospective buyers can better appreciate why premium bridal wear requires substantial lead times and craftsmanship.\n• For Art Collectors and Investors: It highlights the auction performance and enduring investment value of modern Indian artists like FN Souza. Prospective buyers can recognize the cultural and financial weight of preserving historic masterpieces.\n\nWhy this happened\nThe public interest was sparked after filmmaker Farah Khan paid a personal visit to designers Rimple and Harpreet's Delhi estate, highlighting their rare museum-grade artworks and palatial decor.\n\n• Buzz Surrounding Film Ramayana: Rimple and Harpreet were already in the limelight after being chosen to design costumes for Namit Malhotra's ₹4,000-crore film Ramayana. Public curiosity about their creative process naturally drew intense attention toward their private lifestyle.\n• Five Years of Curated Collecting: The designer duo dedicated five continuous years to acquiring rare global artifacts and designing their 10,800-square-foot residence. Showcasing an FN Souza painting valued at over ₹1 crore and authentic Murano glassware made the house a genuine architectural curiosity.\n• Behind-the-Scenes Celebrity Camaraderie: Farah Khan shares a long-standing personal and professional rapport with the designers. When glimpses of the visit and candid conversations were documented, it brought the private, opulent world of movie designers directly to audiences.\n\nQuestions & Answers\n\n1. Where is the residence of Ramayana's costume designers located?\nThe luxury home of designers Rimple and Harpreet is located in Green Avenue, Vasant Kunj, New Delhi.\n\n2. What is the total area of the house and how long did it take to build?\nThe house spans approximately 10,800 square feet and took five years to build and curate with rare artifacts.\n\n3. What was the auction price of the FN Souza painting in the house?\nAn untitled painting by modernist master FN Souza in their collection sold for ₹1.08 crore during a 2023 auction.\n\n4. Who designed the custom dining table and chandelier in the house?\nHarpreet personally designed both, repurposing salvaged pieces of antique chandeliers and drawing inspiration from Jamawar shawls.\n\n5. Where were the ornamental glass fruits on the coffee table sourced from?\nThe decorative glass fruits were sourced from Murano in Italy, a global center famous for historic glass artistry.\n\n6. Which major projects did Rimple and Harpreet design costumes for previously?\nThe duo previously designed the opulent period wardrobes for Sanjay Leela Bhansali's film Padmaavat and the series Heeramandi.",
  "url": "https://trendkia.com/en/bollywood/philma-ramayana-ke-kostyuma-dijainarsa-ka-mahalanuma-ashiyana-dekhakara-dnga-raha-gain-farah-khan-45545",
  "category": "Bollywood",
  "publishedAt": "2026-10-09",
  "tags": [
    "Ramayana Film",
    "Rimple and Harpreet",
    "Farah Khan",
    "Padmaavat",
    "Heeramandi",
    "Luxury Home",
    "FN Souza Painting"
  ],
  "language": "en",
  "site": "TrendKia"
}