Steering a cinematic universe is a daunting task for James Gunn, especially as superhero fatigue looms and corporate shifts at Warner Bros. add to the complexity. Up until this point, Gunn had defined a new era for DC through tonal diversity, inspired casting, and a distinct stylistic flair, exemplified by successes like Peacemaker and Superman. Against this backdrop comes the first solo outing for Supergirl since 1984, a project that functions as a lively but ultimately uneven space opera.
The Journey
Milly Alcock’s iteration of Kara Zor-El was introduced in Superman as a struggling figure coping with her isolation alongside her dog, Krypto, on red-sunned planets. The plot kicks off when she crosses paths with Ruthye, an orphan seeking retribution against the villainous Krem, portrayed by Matthias Schoenaerts. Their quest involves finding a specific item to heal Krypto, leading them across a series of visually distinct planets and combat encounters. Notably, the chemistry between Alcock and David Corenswet, who reprises his role as her cousin Superman, remains one of the film's brightest aspects.
Direction and Tonal Shifts
Director Craig Gillespie, known for I, Tonya and Dumb Money, attempts to channel the signature energy of James Gunn, yet the results feel like a watered-down version of that vision. The humor often misses its mark, and the film suffers from the lack of a scene-stealing ensemble cast. While Jason Momoa makes a brief, charismatic appearance as the mercenary Lobo, it is little more than a cameo. Furthermore, the inclusion of themes surrounding sexual violence feels tonally inconsistent and regression-prone, clashing with the potential of Supergirl as an unconventional feminist icon.
Final Verdict
There are scattered moments of genuine quality. Flashbacks detailing the protagonist’s origin and the fate of the Kryptonians are beautifully crafted, bolstered by strong performances from David Krumholtz and Emily Beecham. While these sequences highlight the film’s potential, they aren't enough to compensate for a thin central narrative. While not a failure, the film plays it too safe. It contains promising ingredients—a witty antihero, a poignant backstory, and strong lead performances—but the fledgling DCU still has work to do to fully establish its identity.
